龍應台曾在一張只有半截身軀卻看不見上半身的圖片底下寫道:「龍應台當官」,戲謔地點出她自德國帶來的心情寫照。
從《野火》的龍應台到台北市文化局長龍應台,性格鮮明的文人因其對時代對家國的使命感前進官場,究竟理想與現實間的爭休如何?本書以一名記者在市府的近身觀察,呈現文化局三年來自籌備到運行的軌跡,並剖析龍應台當官受其文人性格的影響,以及文人當官所遭遇的矛盾與衝突。
龍應台曾在一張只有半截身軀卻看不見上半身的圖片底下寫道:「龍應台當官」,戲謔地點出她自德國帶來的心情寫照。
從《野火》的龍應台到台北市文化局長龍應台,性格鮮明的文人因其對時代對家國的使命感前進官場,究竟理想與現實間的爭休如何?本書以一名記者在市府的近身觀察,呈現文化局三年來自籌備到運行的軌跡,並剖析龍應台當官受其文人性格的影響,以及文人當官所遭遇的矛盾與衝突。
龍應台曾在一張只有半截身軀卻看不見上半身的圖片底下寫道:「龍應台當官」,戲謔地點出她自德國帶來的心情寫照。
從《野火》的龍應台到台北市文化局長龍應台,性格鮮明的文人因其對時代對家國的使命感前進官場,究竟理想與現實間的爭休如何?本書以一名記者在市府的近身觀察,呈現文化局三年來自籌備到運行的軌跡,並剖析龍應台當官受其文人性格的影響,以及文人當官所遭遇的矛盾與衝突。
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