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The Story of Music

From Babylon to the Beatles; How Music Has Shaped Civilization

Audiobook
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A dynamic and expansive tour through 40,000 years of music, from prehistoric instruments to modern-day pop songs

Music is an intrinsic part of everyday life, and yet the history of its development from single notes to multilayered orchestration can seem bewilderingly complex.

In his dynamic tour through forty thousand years of music, from prehistoric instruments to modern-day pop, Howard Goodall leads us through the story of music as it happened, idea by idea, so that each musical innovation—harmony, notation, sung theater, the orchestra, dance music, recording—strikes us with its original force. Along the way, he also gives refreshingly clear descriptions of what music is and how it works: what scales are all about, why some chords sound discordant, and what all postwar pop songs have in common.

The story of music is the story of our urge to invent, connect, rebel—and entertain. Howard Goodall's beautifully clear and compelling account is both a hymn to human endeavor and a groundbreaking map of our musical journey.

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    • AudioFile Magazine
      It's a big story that lives up to its subtitle as it spans centuries. Listeners won't retain every detail even though narrator Simon Vance presents the facts and occasional opinions with all the author's diligence. Like a lecture from a favorite professor, though, the book always entertains and engages. Even if the musical technicalities--such as the discussion of the "dotted rhythm" of swing--don't quite sink in, the cultural impact of each element will. Goodall's writing is thoughtful, considering such topics as the European influence on the blues and the stresses on composers who worked under Nazi or Soviet regimes. There's much for the music scholar, and casual listeners will also find something to ponder. J.A.S. © AudioFile 2014, Portland, Maine
    • Publisher's Weekly

      October 21, 2013
      In this pedantic survey, composer Goodall ploddingly chronicles the innovations and inventions that have shaped the development of music (though classical music is the main focus). He presents some interesting facts—for example, the oldest list of musical instruments dates from 2600 BCE and a Mesopotamian clay tablet that lists various instruments, including the lyre, and provides instruction on playing a lute. In the Middle Ages, Guido of Arezzo came up with a method of notation to aid his choristers in singing songs, and Hildegard of Bingen “added ornamentation and melodic detail outside of the strict confines of standard method” as she composed her own chant tunes. He points out that by 1500 all the main families of musical instruments existed, and he traces briefly the ways that Beethoven, Bach, Mozart, Wagner, Schoenberg, Philip Glass, and Steve Reich, among others, influenced the development of music.

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